James Brown, the Godfather of Soul, performs with Rick James, remaining, at the Wiltern Theater in Los Angeles, in this June 11, 1991 file image.

Photo: KEVORK DJANSEZIAN, STR / AP

For Rick James, the funk icon and subject of the new Showtime documentary “Bitchin’: The Sound and Fury of Rick James (premiering Sept. 3),” the bash was by no means around — which could clarify why the gentleman died way much too early at 56 in 2004.

The R&B/pop star guiding these kinds of funk classics as “Super Freak” and “Mary Jane” did not know when to close up shop, choose up the vacant, red Solo cups and connect with it a night time. When the late comedian/frenemy Charlie Murphy (who would later narrate insane anecdotes showcasing him and James that turned unforgettable sketches on “Chappelle’s Show”) told him he was going too significantly, James simply just responded, “There’s no such spot!”

“Bitchin’” does not skimp on all the sordid aspects of James’s sexual intercourse-and-medicine-fueled lifestyle. At the peak of his fame, James was a Caligula-design ringleader, nearly choosing up Small Richard’s debaucherous mantle and typically turning his dwelling into a spherical-the-clock orgy den. As his daughter Ty recalls in the doc, it wasn’t that odd to wake up in the early morning, stepping around passed-out bare women of all ages just to get to the kitchen area.

Amidst all this depravity, James did develop funk music that continues to slap to this day. Thinking of all the years he spent headlining unsuccessful bands in the ‘60s and ‘70s, striving to get some modicum of accomplishment and hustling like his mom did again in the day, it is no speculate he slid into rampant surplus when he experienced the prospect. It was not until James grew to become his own star, making “punk funk” with his Stone City Band crew, that individuals ultimately began to get discover. Together with coming up with horrible occasion hits, their equally-outrageous are living performances (at some issue, twin pillars of marijuana joints would strike the phase, which James frequently hugged and kissed) designed it appear like they were being striving to out-funk George Clinton and his Parliament-Funkadelic collective.

But, as the hits and accolades retained coming, so did the cocaine. The white stuff took more than his lifestyle to the point exactly where it designed him even far more of an excessive junkie. Jail time (which include a a great deal-publicized stint for kidnapping and torturing a younger female) and overall health difficulties (he suffered a stroke right after a 1998 live performance) quickly adopted, ultimately turning the the moment-mighty freakazoid into a fragile guy on borrowed time.

Music journalist-turned-documentarian Sacha Jenkins (“Wu-Tang: Of Mics and Men”) does not go about judging James and his remarkably problematic existence. But it’s complicated not to as opposed to other docs about underappreciated Black entertainers, Jenkins reveals that it wasn’t whites who ended up the result in for his downfall. James was certainly a self-harmful beast. Even when he obtained income and recognition all over again right after MC Hammer sampled “Freak” for his chart-topping “U Cannot Contact This,” James couldn’t assist but exhibit his disdain for this young punk biting his fashion.

Jenkins also does not try to armchair-psychoanalyze James and his lascivious strategies. He does hint that James’s sexual dysfunction may possibly have begun when his virginity was taken way as well early by an older lady (who was eventually beaten down by his mom). He does chronicle James’s early times as an authority-dodging absolutely free spirit, heading AWOL from the Navy — at the top of the Vietnam War — and deserting to Toronto. He observed himself in a much more liberating land, the form of metropolis where users of The Band would arrive to his help when a dude required to combat. He afterwards served as the frontman for The Mynah Birds, the small-lived rock band that also incorporated Neil Young on guitar.

Jenkins lands interviews with all the members of his Stone Town Band. He also receives appreciative words from rappers Ice Dice, Significant Daddy Kane and Conway the Device, who hails from his hometown of Buffalo. Really do not search for Eddie Murphy (whose 1985 pop hit “Party All the Time” was created by James) or any other popular associates to fall any reminiscences. With the X-rated legacy James remaining driving, it’s easy to understand why some celebs wouldn’t want to be associated with a person who was a freak right up until his final breath.

Craig Lindsey is a Houston-primarily based writer.

‘Bitchin’: The Seem and Fury of Rick James’

When: 8 p.m.

Where: Showtime

**** (out of 5)