Kayoon Anderson is a figurative painter and Semi-finalist in the Sky Arts Portrait Artist of the Year. Listed here she contemplates the value of her sketchbook observe as a device for establishing tips and seeking new tactics, though also pondering the evolving partnership an artist can have to their sketchbooks.



Kayoon Anderson Takes Us By means of Her Sketchbook Apply

To be straightforward, preserving a sketchbook has frequently felt like a bit of a chore. It is anything I have been advised time and time yet again is important to do, but I can never remember to have a person with me.

Even so, I’m at the moment going as a result of a time period of portray-preparing (rather than painting-performing), and I’m realising that it can be very practical following all. My sketchbooks have turn out to be a place for me to visualise my feelings by way of line and take a look at my hand at distinct thoughts at the pre-painting phase.

My planning system can be broken down into various levels:

  • Observing figures from daily life, hunting at photographic and inventive references
  • Screening a composition applying sketchbooks and photoshop
  • Working with photoshop to compile a last painting reference



Observing Figures From Lifestyle

I paint figures, and sketching from existence allows grow my knowing of the human sort. Even if the conclude target is not to paint people today naturalistically, I nevertheless want their bodies to be plausible. Sketching from existence is normally quick, and the target is on teaching myself to capture form accurately.




Wanting at Other Artists Work

I lately came across the do the job of the 20th century Korean painter Park Su-Geun and was wholly blown away by the basic rendering of varieties, their calming excellent, and the general security of the functions. I wanted to fully grasp how he achieved these emotions and felt the most direct way to examine them was to sketch them.




Likely By way of Outdated Photos

I continue to keep albums of pictures on my phone, in folders this sort of as ‘painting inspo’, ‘interiors’, ‘colour inspo’ and ‘pattern’. Each now and then, anything arrives up that I’d like to incorporate into a portray, and the process of sketching can help me get a truly feel for it. These could be photos of people or areas, but mostly it is styles that I have occur throughout. For example, I have been familiarising myself with the designs in the doorways of traditional Korean hanok buildings. Lately I’ve also been fascinated by the models of Korean bojagi – conventional embroidered wrapping cloths manufactured from a patchwork of scrap materials. Like the doors of hanok homes, they are mixtures of horizontals and verticals that create fantastically harmonious patterns. I’ve been tests out my individual bojagi styles in a sketchbook.




All in all, the sketchbook is a position for me to lay out and participate in all over with all these small feelings in simple line, seeing what I gravitate to most, and get started forming simple compositional drawings for paintings. Tracing paper is wonderful for this – I can attract something on the site, overlay pattern employing tracing paper, and experiment with where by the picture edges need to be, all on unique layers.



For the upcoming stage of composition however, I use electronic tools these types of as Photoshop. I’ll scan drawings of figures and patterns from the sketchbook and merge them along with flat designs drawn in Photoshop to make a extra finish composition. At the conclusion, I am left with ‘the image’ (in some cases also colored on Photoshop) on which my portray is dependent. This procedure is arguably the most crucial section of my painting planning, reworking the early principles from my sketchbook into a useable reference graphic for portray. It is a way to whittle down tons of photographs from a number of resources till I get there at ‘the image’ to paint with.



On celebration, I skip the entire sketchbook method and jump straight into Photoshop, digitally collaging photos as a substitute. It depends on the calls for of the ultimate painting – often it calls for a drawn-out sketchbook development interval, and sometimes it arrives with each other in fifty percent an hour on the computer and which is that.



I have a handful of sketchbooks dotted close to my studio and home. All are started but only one particular is completed. There is no chronology or logic to them – I’ll obtain just one that I commenced decades in the past and carry on its webpages. They also change in appear – plain, lined, compact or significant. Most of my sketchbooks have been purchased on vacation (probably mainly because I often forget to acquire just one with me when I vacation) and stop up becoming filled in a extensive time following. My recent sketchbooks are from Korea and Italy.



I test not to spot as well substantially significance on them as objects… they are not polished matters but just a area to rapidly visualise thoughts that tell later functions. When finding out architecture, the method of sketching was taught as an necessary approach of ideating and promptly communicating. Whilst I believe the importance of sketching can be overstated, it no doubt has a various that means and importance to distinct artists.



Frequently months go by with out sketching, but you just know that a single night time when you just cannot slumber, an strategy for a painting will spark in your head and you urgently have to get it on paper right before you ignore it. This happened to me the other night so I’m now hoping to have a sketchbook at the prepared at all occasions.



For that similar rationale, I always have a mechanical pencil close by much too. A mechanical pencil on sleek paper has an immediacy and a cleanness to it which, in my brain, just cannot be overwhelmed. As well as, you really do not ever will need a pencil sharpener!



By the course of action of crafting this, I’m realising that my sketchbook follow might be much more critical to me than I formerly gave it credit score for. Sketchbooks are often the commencing factors driving finished paintings. They are a terrific area to iterate, and from time to time fail, in the pursuit of new concepts. They are the head-maps in the background that never (ordinarily) get witnessed.



About Kayoon Anderson

Kayoon was born in Seoul, South Korea in 1997. She studied architecture at the College of Cambridge and portrait portray at Heatherley College of Art. She presently performs as a figurative painter in London and seems to be to Korean artwork as influences in her observe.

Observe Kayoon on Instagram

Visit Kayoon’s website



Further more Looking through

Inside of the Sketchbook of Sarah Dyer

The Romance Among the Artist and Their Elements

Inside of the Sketchbook of Jessica Jane Charleston

Producing a Each day Drawing Observe With the Royal Drawing College


Shop Sketchbooks on jacksonsart.com


Clare McNamara

As Web site Editor, Clare oversees written content for the blog site, manages the publishing agenda and contributes on a regular basis with options, assessments and interviews. With a background in fine arts, her procedures are illustration, graphic layout, video clip and audio.