“Wish Dragon” is nicely knowledgeable that “Aladdin” acquired there very first. Earning his spirited aspect debut, aspiration-large animation director Chris Appelhans pretty significantly assumes you will be wondering of Disney’s blue genie when his humble Chinese hero rubs a jade teapot and produces a fluorescent flamingo-pink dragon, completely ready to grant his wildest dreams — or three of them at minimum. And you know what? He doesn’t treatment, due to the fact “Wish Dragon” delivers a total new environment, a new great level of perspective, and that’s a great deal.

Technically, China’s historic desire dragon legend predates even “Arabian Nights,” a detail that gives Appelhans license to update the folk tale for the fashionable earth even though stripping it of so many of the drained clichés that now occur with the territory in almost any wish-granting fable — like the moist-blanket “be mindful what you wish for” trope, wherever an unfortunate so-and-so’s improperly worded request inevitably backfires, educating that human being he was far better off without the need of no matter what lust magic might have rustled up inside him.

The hero of “Wish Dragon” doesn’t have significant ambitions. Shanghai-dependent Din (Jimmy Wong) may be grime very poor and determined, but he’s unusually grounded as this sort of figures go. When presented 3 wishes, he actually does not know what to request — while Prolonged, his dutiful, all-effective dragon (voiced by John Cho), is full of tips: Why not wish for piles of gold? Or his possess own army? Right after all, each one particular of Long’s prior masters needed prosperity and power. But not Din. He just wants his very best friend back.

In the film’s upbeat opening, we see youthful Din and neighbor Li Na bonding in excess of all points dragon. They pinky-swear to be pals eternally, then the prologue turns melancholy, as Li Na’s father moves away and the buddies are separated. Flash ahead a handful of decades, and Din even now can not get her out of his brain — and who can blame him, now that Li Na’s a prosperous design whose confront pops up on billboards all over city (together with one on the roof of the hovel wherever Din continue to lives with his pragmatic mom, voiced by Constance Wu).

So when poof! the magic dragon reveals up keen to serve, Din doesn’t covet income or power for every se — although both of those would enable him finagle his way into Li Na’s birthday party, since she’s now rich more than enough to be out of his league. To Long’s shock, Din wishes for temporary wealth and power (but just ample dough to get through the doorway), trusting that they’ll be able to select up exactly where they left off if they can only be reunited.

The plot’s a small “have your cake and eat it too” in this regard: “Wish Dragon” presents Din as a pure, sincere soul — somebody who can educate Lengthy a lesson or two about life’s priorities — but also as a “peasant” to Li Na’s “princess.” Ergo, we’d be expecting him to be a tiny greedier in compensating for all that he lacks. Din’s deficiency of cupidity is not so difficult to acknowledge, given that Appelhans’ aesthetic — both the fast, intelligent animation style (a zippy pose-to-pose approach that mirrors classic martial-arts flicks) and all-about openness to Chinese lifestyle, aged and new — proves so entertaining unto alone. The exaggerated squash-and-extend fashion (reminiscent of “Despicable Me” and the “Madagascar” videos) elevates usually common scenes, as when Din (who idly wishes he understood how to fight) faces off versus a trio of lithe henchmen. And it’s terrific fun to observe Very long bend and fold at appropriate angles. (Chinese audiences reward from producer Jackie Chan supplying the voice for the Mandarin-language variation.)

Even a lot more than last year’s Netflix authentic “Over the Moon,” this Sony Pics Animation-created pickup seems to identify and respect the Japanese milieu in which it’s established, albeit with an appreciative outsider’s curiosity. Granted, most audiences will not know just about anything about Appelhans (a gifted idea artist on films these types of as “Fantastic Mr. Fox” and “Monster House”) or the place he’s coming from, but I was really excited to see his name on the movie. I have been a longtime admirer of his watercolor illustrations — fantastical scenes showcasing youngsters with floppy sloths, rusty robots and misshapen unicorns — and can see how such portraits of unbelievable close friends, the two real and imaginary, may translate to a teenager and his trusty wish dragon.

What Appelhans and the makers of “Wish Dragon” could not have identified when they established out was that Disney had a kinda similar film up its sleeve in “Raya and the Very last Dragon.” Furthermore, Disney experienced Awkwafina on its side (she’s a large amount funnier than Cho, who’s obtained persona but can’t do impressions or improv the way a comedian can). “Raya” also riffed on the “Aladdin” fantasy, which leaves this challenge sensation somewhat much less refreshing, although there is home enough for many dragon-themed/desire-granting fables in this environment. So go with the just one streaming on what ever service you patronize — at minimum right until we all get our want that these films come across their way back to the huge monitor.